大约1,500名摄影师在建设问题上提交了一年的图像。这种幻灯片的真实人才在相机的前面和后面。
Photographer: Thiel Harryman
提交ter: Thiel Harryman
Description: Magbanua was preparing to install an electrical control panel when Harryman noticed the striking contrast between the colorful coils of wire protruding from the underground conduit and the concrete foundation—and shot this photo.
Photographer: Zak Kostura
提交ter: Rebecca Maloney
描述:这个4,000磅的不锈钢结构称为天空反射网,将帮助乘客穿过大都会运输管理局的富尔顿中心,这是其在曼哈顿下城的翻新运输中心。该作品由MTA委托,是James Carpenter Design Associates,Grimshaw Architects和Arup的合作。在此图像中,安装程序对电缆网中的952几何独特面板执行了最终检查。ARUP的结构工程师科斯图拉(Kostura)使用了一个临时平台来构图低位置的镜头。他说,结果是一个宽敞的垂直墙,几乎使安装程序的尺度淹没了电梯上。Kostura补充说:“网似乎以不同的角度进行不同的尺度。”
Photographer: Robb Williamson
描述:工人在巨大的地下保险库中对齐曝气线支架。“我的相机表现真的很好,” Aecom的高级摄影师Williamson说。他想起了这张照片,他说,这个场景仅被遥远的工作灯点亮,高高的灯光从入口处传来。他用手持式佳能1 D-X以ISO 3200的1/100秒拍摄。
摄影师:Martin Chandrawinata
提交者:Martin Chandrawinata
描述:Chandrawinata拍摄了这张挖掘机拆除临时桁架基础的挖掘机,该基金会用于在负载转移之前为新的60亿美元湾桥支撑桥甲板。“一个早晨,在我进行实地考察期间,我注意到雾气滚滚并隐藏了桥的一部分。我从相邻的码头捕获了这张照片,”他说。“我希望这样的图片能够激发年轻的工程师梦想大大,并努力建立更多的功能结构,从而使整个社会受益。”
摄影师:肯尼斯·索尔法德(Kenneth Solfjeld)
提交ter: Natascha Eichholz
描述:“美丽的峡湾为我的所有照片都是完美的背景,” Solfjeld说。315米长的盒子束跨度具有钢和凝结的上部结构,钢管桩被驱动到海床上作为粉底。桥和附近的隧道是一个项目的一部分,旨在防止该地区的岩石瀑布和雪崩。“高级工程会见地球母亲。完美的!”Solfjeld说。
摄影师:MarieTagudeña
提交ter: Marie Tagudeña
描述:Tagudeña被聘请记录桥梁更换的进度,他说,当她遇到一根电线时,她“迷着”了,这些电线与她的眼睛相似,类似于“从地面出现的金属蛇”。她说,她喜欢使用异常图像使工作地点栩栩如生。她说:“当您看到一些无生命的东西似乎使某物活着,这是一种抽象的方式”
Photographer: Trevor Clancy
提交ter: David Murphy
Description: Clancy works for Marble Street Studio, an outfit that specializes in shooting for project owners and contractors. Working for Oltmans Construction, he was documenting hardware installation work on PV-panel brackets for a canopy that would shade parking spots while generating electricity. “I used an f2.8 setting to achieve this soft- focus look,” says Clancy.
Photographer: Stephen SetteDucati
Description: “Tearing down massive steel structures is very hard on excavators. I totally respect these guys who work in any weather, day or night, to get a broken machine up and running,” says SetteDucati of his subject, a heavy-equipment mechanic. SetteDucati also directs media for MCM Management Corp., manager of the Sparrows Point project, now 45% complete at the 3,500- acre site. “What inspired me to take the shot was the contrast of the yellow background with his black, grease-covered hands, torn coat and the multitude of chrome tools he was hauling.”
Photographer: Paul Knapick
提交ter: Paul Knapick
描述:项目承包商BBL Construction Services Inc.的全职员工摄影师Knapick使用了从山顶位置的400毫米远摄镜头拍摄这张联合铁工史蒂芬·冈萨雷斯(Stephen Gonzalez)的照片,该照片将车库甲板的一部分用于去年春天的升降机。纳皮克说,这次枪声吸引了他,因为宾夕法尼亚州雷丁市420名当地420名成员冈萨雷斯(Gonzalez)在分包商埃德冯(Edvon)的签约中工作,“看起来他在努力工作。”冈萨雷斯说,他现在正在新泽西州纽瓦克市保诚中心的一个项目。
摄影师:基思·迈恩(Keith Meehan)
提交者:基思·梅汉(Keith Meehan)
描述:Meehan游说项目经理很早就在定制购物车中的一席之地,用于操纵1,200英尺长的1,250英尺高的电缆,航空公司Nik Wallenda将在大峡谷附近越过峡谷。他说:“我知道有利的位置将提供一种独特的图像。”在这里,Meehan框架巡线员丹尼斯·摩根(Dennis Morgan)是纽约州锡拉丘兹(Syracuse)的电气工人联盟的丹尼斯·摩根(Dennis Morgan),他还帮助驾驶了2012年纽约州纽约州尼亚加拉瀑布(Niagara Falls)的线路。
摄影师:格雷格·菲普斯(Greg Phipps)
提交ter: Greg Phipps
描述:拍摄这张照片时,阿拉斯加路高架桥置换程序的摄影师菲普斯(Phipps)紧贴着作业中使用的57.5英尺dia隧道钻孔机的后角。当Phipps试图捕获TBM完成的工作时,工人走进了框架。菲普斯说,他喜欢普通与非凡之间的对比。菲普斯说:“只有两名工人步行上班。”他还指出,伯莎是有史以来最大的TBM。“我对它的规模和形状感到震惊。”
Photographer: Benjamin Johnson
提交者:本杰明·约翰逊
Description: On site to take a group photo in front of this 119-year-old structure, Johnson looked up and saw the recently erected tower crane. A photographer for construction manager Shawmut Design and Construction, which is transfoming the structure into municipal space, Johnson liked the detailed view of the old building, which had been abandoned for decades, and the new crane working to save it.
摄影师:科里·谢尔曼(Corey Sherman)
提交者:科里·谢尔曼(Corey Sherman)
Description: As quality-control manager for McKnight Construction at this Georgia Dept. of Defense project, Sherman regularly takes progress photos. On an early inspection in August, he walked past the stacked duct that had been delivered the evening before. The blue protective covering caught his eye in the morning light, and the multiple squares of different duct sizes made him reach for his iPhone 4s. “It was a cool combo of color and shapes that come together on a construction site and usually go unnoticed,” he says.
Photographer: David McLain
提交ter: Patrick Casey
Description: McLain, a lifelong magazine and commercial photographer, did extensive shooting for a book celebrating The Boldt Co.’s 125th anniversary. He stationed himself on the church’s lighting catwalk to get this angle on the seats’ installation. “It was impressive to see everyday fixtures being installed on such a large scale,” says McLain.
Photographer: Heith Comer
提交者:Heith Comer
描述:一名经常为建筑工地拍照的摄影师,Heith Comer被吸引到一堆黄色的混凝土衬衫上,在阿拉巴马州塔斯卡卢萨市的一个酒店建筑工地上堆叠起来。“看起来真的很酷,” Comer说。“我认为这将是我可以挂在办公室的东西。”
摄影师:Chao-Yang“ Danny” Chan
提交者:Chao-Yang“ Danny” Chan
Description: Danny Chan was just a new staff photographer for CECI Engineering Consultants Inc. when he was assigned to cover its Wu-yang widening project for Freeway No. 1 in Taipei. Chan was looking for “an image different from fine weather and daytime.” He took this shot in the late evening hours, “just as the traffic lights were switched on” and fog still hung over the project.
摄影师:詹妮弗·伯克(Jennifer Burke)
提交者:Erin Zangari
描述:2009年在西雅图的国王街车站开始康复工作时,西雅图的点希望将世纪历史的火车站恢复到其以前的荣耀为太平洋西北的运输中心。ZGF Architects的内部摄影师在4月完成两个月前访问了该地点,并找到了这一场景。“在大候诊室上方二楼的灯光空间中,我遇到了来自Evergreene建筑艺术的两名工匠。他们正在使用传统的雕塑技术来恢复历史性石膏天花板的元素。”
Photographer: Timothy Schenck
提交者:蒂莫西·申克(Timothy Schenck)
Description: “Getting interesting construction shots, for me, is all about finding unique perspectives,” says Schenck of this image of stone masons laying a granite walkway, which was taken from atop the general contractor’s crane. “It was a clear, sunny day, so the direct sunlight made the colors really pop and gave the photo some great shadows. I try to highlight the human element and contrast it with the materials and colors of the jobsite.” The privately financed upgrade of public spaces near Liggett Hall on historic Governors Island is set for completion in 2014.
Photographer: Stephen SetteDucati
提交者:Stephen设置
描述:为项目经理MCM Management Corp.指导营销的Setteducati,“从头到尾,都喜欢拆除所有有关拆除的一切携带熔融钢。“我想展示建筑物在吸引观众的细节和颜色对比的同时,这是多么庞大和复杂。我的接触至关重要。”
Photographer: Paul Turang
提交ter: Paul Turang
描述:一块垫子上的混凝土饰面剂在垫子以下约80到100英尺的垫子上,抓住了图朗的眼睛,因为Turang探索了圣地亚哥的10层,价值8.39亿美元的医院的地点。他说:“我看到那里的终结器和超黑色的混凝土,我只是喜欢这些图案。”太阳真的很苛刻。为了使阴影更加黑色,他为混凝土进行了计算,并调整了他的佳能5D Mark II的曝光。他说:“当工人移动时,我将其构成了几种方式,直到我可以在右边砍下墙。”“这是最后的框架。”
摄影师:尼克·罗伯茨(Nick Roberts)
提交者:尼克·罗伯茨
Description: Nick Roberts is an independent photographer befriended by Walsh Construction, which is building the Ohio River crossing for I-65 in Louisville. The photo shows ironworker Sean Ellery giving hand signals to a crane operator lowering onto a barge an 11-ft-dia, 50-ft-long rebar cage to be used as part of a caisson for the new bridge. “I was grateful Walsh gave me access to the site and got lucky when the fog rolled in at just the right time,” says Roberts.
摄影师:威廉·安东尼
提交ter: Lisa Brandi
Description: Hired by Illumagear, manufacturer of the Halo Light, professional photographer Anthony said he found kismet when he captured this image of a construction worker wearing the light while working at night on a road project as traffic speeds by. Describing what it felt like to take the picture, Anthony says, “It was really baptism by fire.”
摄影师:布鲁斯·凯恩(Bruce Cain)
提交ter: Bruce Cain
Description: A tight crop from a much larger photo produced this shot of a worker on a power trowel and the patterns his machine made in the concrete. Cain, a freelance photographer, shot this progress photo with a 65-ft-high, vehicle-mounted telescoping mast and a Nikon D300s with an 18- 200 millimeter zoom lens set at 170 mm. Cain says he always shoots three-, five- or seven- exposure brackets and then blends the exposures in post-processing to increase the dynamic range of the final result. This photo was a three-exposure blend to bring out details.
Photographer: David Lloyd
提交者:由巴拿马运河管理局莉娜·科西奇(Lina Cossich)提交
描述:艾奕康科技人员摄影师劳埃德,大fan of taking photos from the air, considers this shot of lower Manhattan and the World Trade Center site an aerial photo even though he did not shoot it from a helicopter. Lloyd captured the view while he was on the 104th floor of the 1,776-ft-tall One World Trade Center. The high perch and a wide-angle lens allowed him to capture most of the WTC site, the lower Manhattan skyline and beyond. For a sense of position and height, Lloyd included One WTC’s beams and scaffolding in the photo’s foreground. “Being at the top of One WTC and looking down on the footprints of the memorial was both emotional and awe-inspiring,” says the photographer, who has been shooting for AECOM for a decade.
Photographer: Michael Gerlach
提交ter: Kelley Hostman
Description: Begun in 2012, the Chicago Transit Authority’s Loop Track Renewal project is slated to repair or replace more than two miles of the city’s distinctive elevated railways. Photographer Gerlach usually took night shots of work on the “L,” but one overcast day something caught his eye. “I was on the switching platform tower and thought these guys with the orange safety vests looked great, all spread out. I loved getting up there, even though it’s kind of scary. I’m with two cameras and a tripod, but I’m not lifting anything like these guys here,” he says.
摄影师:马克·克朗克(Mark Kroncke)
提交ter: Mark Kroncke
Description: As crews assembled the earth-pressure-balanced tunnel-boring machine “Lady Bird” to bore the 23-ft-dia Blue Plains water tunnel, Jacobs Associates senior staff engineer Mark Kroncke snapped a quick picture of the TBM’s screw conveyor. “I’m new to tunneling—this was my first TBM job,” says Kroncke. “I was standing in the smaller of the two launching shafts, looking through the tunnel at the screw conveyor. Everything was in that shot: the framing of the interconnecting tunnel, the light. It was awesome.”
Photographer: Trevor Clancy
提交ter: David Murphy
描述:Clancy是一名在大理石街工作室工作的专业摄影师,正在为承包商Oltmans Construction拍摄。正如他解释的那样:“拍摄倾斜结构时,我通常会使用更长的镜头,并试图远离工作人员和大量混凝土板,因为它们将其提升到位。但是在六月的今天早晨,有机会带着广角镜头挤在工人附近。”
Photographer: James Wonneberg
提交者:Ted Coyle
Description: Wonneberg, a graphic specialist with D.C. Water, took this picture with a wide-angle lens to show the enormousness of the tunnel-boring machine—dubbed “Lady Bird” after Lady Bird Johnson—being used on the first tunnel of the massive D.C. Clean Rivers project. The photo was taken as the first piece of the TBM was lowered into the shaft by a specially manufactured crane. “The trick was to get enough of the cut stone in the foreground” yet have enough width and detail in the shot “to show the magnitude of the machine itself,” he says.
Photographer: Thiel Harryman
提交ter: Thiel Harryman
Description: Harryman says the most valuable resources the construction industry has are people. The portrait subject, Charles Carver, was preparing logistics during construction of a fuel storage facility. “A photograph is a simple thing that can provide a viewpoint from the past,” says Harryman. “Sometimes a black-and-white photo helps to capture the essence of the subject.”
Photographer: John Sturr
提交者:约翰·斯特尔(John Sturr)
Description: As most designs are now done on a computer, the old-school light table gets little respect. “It has been relegated to the corner of the office that hardly gets any traffic” says John Sturr, a draftsman and photographer. His glowing black-and-white photo, taken at the Salt Lake City office of FFKR Architects, captures the silhouette of a woman tracing reference points on a blueprint.
摄影师:迈克尔·鲁尼
提交者:迈克尔·鲁尼
描述:PGH Wong工程和从事他的第一个项目的现场工程师鲁尼(Rooney)在开放式沟渠中的初始混凝土倒入夜班期间进行了检查。他说:“我通常会射击颜色,但我认为这张照片看起来很有趣,因此我以这种方式进行了处理。”
Photographer: David Lloyd
提交者:大卫·劳埃德(David Lloyd)
Description: “I like shooting aerials due to the perspective it gives and the opportunity to capture abstract-type images,” says Lloyd, a staff photographer for AECOM. For this surreal canvas of a runway under construction, the soil colors provide a “painterly backdrop for the equipment in action,” he says. Lloyd shot the photo from a helicopter, which allowed him to capture the site’s scope and scale. He used a Canon 5D Mark III with a 24-70 millimeter lens and a 1/250 shutter speed, with an aperture range of f/5.6-8. The runway is set to open in September.
摄影师:Mario Balozla
提交者:马里奥·巴洛兹拉(Mario Balozla)
Description: Balzola says that, before he took this photo, he got a little scared when he was hoisted in a basket overlooking a working survey at a fabrication yard in Angola. As he was looking down, he spotted a rope and the man holding it. Balzola says the man was the only link between him and the Earth. He wanted to capture his feeling of near-vertigo as well as show the unique importance of every worker on a jobsite.
摄影师:Martin Chandrawinata
提交者:Martin Chandrawinata
描述:汉娜集团的建筑工程师Chandrawinata,看到工人站在不锈钢铰链式横梁上时拉了钢领。他说:“这表明了团队合作,因为它太重了,只有一个铁工才能拉出这个钢领。”
摄影师:Victor Nordstrom
提交ter: Chi Ling Moy
Description: Nordstrom, a Louis Berger graphics analyst and photographer, was documenting progress at the WTC site when he came upon this shot of workers finalizing details on this corridor, which opened to the public last October.
Photographer: Matthew Hudson
提交者:马修·哈德森(Matthew Hudson)
描述:结构工程师Brandow&Johnston的营销总监Hudson在他的窗户“切口”照片中,将大量但平凡的倾斜面板变成了极简主义艺术。尽管哈德森在云日期的工业工厂网站上拍摄了其他100张照片,但他只拍摄了其中的一张。他是极简主义的粉丝,被他的节奏所吸引,他将其比作一个有趣的房子的镜子大厅。但是原始混凝土,钢筋,生锈的金属稳定剂和随机2x4也吸引了他。
摄影师:IgnacioMarquésMartínez
提交者:里贾纳·洛佩兹(Regina Lopez)
Description: To photographer Marqués, who is also an architect, one of the most visually striking aspects of contractor Sacyr’s subway extension project in Madrid was “the huge amount of rebar. It seemed like an ocean of steel.” The rhythm of curved bars against straight bars and the contrast between reflected light and dark, shadowed spaces convinced him to shoot in black and white.
摄影师:Martin Chandrawinata
提交者:Martin Chandrawinata
描述:Hanna Group的建筑工程师Chandrawinata站在New Bay Bridge的塔楼(空中约500英尺)上,拍摄了有线检查团队的这张照片。Chandrawinata说,他在篮子里羡慕这支球队,但也欣赏了旧金山的壮丽景色,并有机会拍摄罕见的机会。
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